The
New York Times has taken notice of the promotional
tactics being used for the creationist propaganda flick,
Expelled. As you all know, they are trying to filter
screenings, allowing only ideologically friendly people to see it,
and keeping out the serious critics who might actually evaluate it
on its merits, rather than as a media echo of what the viewers want
to hear.
There were nondisclosure agreements to sign that day, but Mr.
Moore did not, and proceeded to write perhaps the harshest review
"Expelled" has received thus far. The film will open April 18, but
has been screened several times privately for religious audiences.
Mr. Moore deplored what he perceived as "loaded images, loaded
rhetoric, few if any facts" and accused Mr. Stein of using a
"Holocaust denier's" tactics.
Which, of course, was exactly the reaction the moviemakers were
hoping to avoid by keeping mainstream critics out.
Mr. Stein said in a telephone interview that he had not read Mr.
Moore's review, but that "being compared with a Holocaust denier is
nonsense," adding, "This guy is extremely confused." He said he
decided to participate in the project because "there's just a lot
of people who don't believe that big science and Darwinism should
have a stranglehold on academic life, and they have been waiting
for a voice."
Every time Stein opens his mouth, he's helping us. This is a
movie that uses Nazi imagery to accuse science since 1859 of being
the primary cause of anti-semitism — it's not denying the
Holocaust, but instead is trivializing it by using it as a tool to
dishonestly browbeat a group that was not responsible. In the
1930s, a political group in Germany used centuries of deeply rooted
anti-Semitism to create a popular movement that culminated in the
murder of six million people for their ethnicity and a war that
consumed practically the entire planet; it wasn't caused by
academics arguing over a theory.
And he projects his bizarre misinterpretations again.
"Darwinism" doesn't have a stranglehold on academics; we've moved
well beyond Darwin to new ideas, and are constantly wrestling with
novel suggestions to expand on the old Darwinian core. To name one
example, proponents of evo-devo think they've got a set of theories
that should change the way we think about evolution. There are
smart people loudly arguing on both sides, with the pro side
bringing up observations and evidence that emphasize the importance
of the discipline, and cons poking holes and pointing out major
failings, and pushing for more and better evidence. There is no
stranglehold, there are only high standards of evidence that are
not met by making propaganda films and getting church leaders with
no knowledge of biology to denounce one side or the other. There is
hard work required to break through into academic credibility, work
which is not being done by the IDists.
We also have expectations of honesty that are not being met. The
makers of this film had to hide their motivations every step of the
way, because they know that they can't stand the harsh light of
criticism. And they just can't stop lying.
Logan Craft, executive producer of "Expelled" and chief of
Premise Media, said he thought Mr. Moore had been wrong to attend
the screening after being disinvited, but both he and Mr. Lauer
denied any involvement in an online "media alert" that purported to
be from a backer of the film. The alert accused Mr. Moore of posing
as a minister to gain admission, calling his actions a "security
breach." Mr. Moore said he never represented himself as other than
a reporter.
Oh, come on. I've got a copy of the "media alert," and it's from
promotional material put out by Motive Marketing. Look
at the official movie
site, and right there on the bottom right is the logo for
Motive Marketing. They've been bragging about using Motive
for marketing, since this is also the firm that promoted Gibson's
snuff movie, The Passion of the Christ. This Lauer fellow is
the founder of
Motive. A reader has sent me more promotional mail from these guys,
and they are peddling the movie hard. And now they're lying to the
New York Times and claiming they've got nothing to do with it? It
seems to be a kind of pathological reflex to deny, deny, deny even
when they're caught red-handed in something relatively
inocuous.
Oh, well. It's a sign of desperation that they are straining so
hard to find a narrow audience that will appreciate their movie;
they know that they've got a klunker that will rely on
appeal to a narrow bias to succeed.
Randy Olson has 'em pegged: they want to use humor to broaden
the appeal to more than just the theocratic sheep, but their movie
isn't funny. A movie that tries to build on clips of
goose-stepping Nazis and Hitler salutes is pretty much destined to
be depressing, unless you're
Mel Brooks. And Ben Stein is no Mel Brooks.
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